OCTOBER TERM 1963 · DECIDED JUNE 22, 1964 · 6–3

378 U.S. 184 · No. 11 · Argued April 1, 1964

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Jacobellis v. Ohio

ReversedFinal ruling
obscenity lawfree speechfilm censorshipFirst Amendmentmovie theaters

Opinion of the Court by Justice Brennan, joined by Justice Goldberg

The Supreme Court reversed the obscenity conviction of a Cleveland Heights theater manager for showing the French film "The Lovers," ruling that the movie was not obscene under the First and Fourteenth Amendments.

No single opinion commanded a majority, but six justices agreed the film was protected speech, and the ruling reinforced that obscenity must be judged by a national standard, not by the tastes of any single town or state.

It is, after all, a national Constitution we are expounding.
Justice Brennan

Explaining why obscenity standards must be judged nationally, not by local community tastes.

How it got here: An Ohio trial court convicted Jacobellis; an Ohio appellate court and the Ohio Supreme Court affirmed, and he appealed to the U.S. Supreme Court, which heard the case twice.

The Case in Depth

What happened

Nico Jacobellis managed a movie theater in Cleveland Heights, Ohio, and was convicted and fined for showing a French film, "Les Amants" ("The Lovers"), about a woman who leaves her marriage for a young man after falling in love with him. Ohio prosecutors argued the film's brief love scene made it obscene under state law, and Ohio's courts upheld the conviction.

The question before the Court

Could Ohio treat the French film "The Lovers" as obscene and criminally punish a theater manager for showing it?

The Court's answer

No — the Supreme Court ruled that the film "The Lovers" was not legally obscene, so Ohio could not punish the theater manager for showing it. Six justices agreed the conviction had to be reversed, though they split on why: some applied the existing Roth test and found the film had enough artistic and social value to escape the obscenity label, while others argued that any government censorship of a motion picture violates the First Amendment outright, or that obscenity laws should reach only "hard-core pornography."

Because there was no single controlling rationale, the case did not produce one unified legal test, but it firmly established that obscenity must be measured by a national community standard rather than the preferences of any single town, county, or state, and that courts must independently review the material rather than simply deferring to a jury's finding.

Curious how the Court got there? See the step-by-step legal reasoning →

Why it matters

Movie theaters, bookstores, and distributors gained stronger protection against local prosecutors banning films or books because a single community found them offensive. The decision makes clear that whether something is legally obscene turns on a nationwide standard, not on the most restrictive local sensibilities, and that judges — not juries alone — must independently review the material.

What changes now

The conviction is reversed and the film is confirmed as protected expression, ending this prosecution. Because no single opinion won a majority, the case did not settle a unified test for obscenity, and the fractured views expressed here — including Justice Stewart's famous 'I know it when I see it' concurrence — left lower courts to continue applying Roth on a case-by-case basis until later decisions refined the standard further.

What this does not decide

Because six justices reversed the conviction for different reasons — some applying the Roth test, others arguing any censorship of film violates the First Amendment, and Justice Stewart limiting obscenity laws to 'hard-core pornography' — the opinion does not establish one binding legal test for obscenity going forward.

Concurrences and dissents

Concurrence — Justice White

Justice White concurred only in the judgment reversing the conviction, without joining Justice Brennan's reasoning or writing an opinion explaining his own grounds.

Concurrence — Justice Black

Justice Black, joined by Justice Douglas, argued that any criminal conviction for exhibiting a motion picture violates the First Amendment's freedom of the press, regardless of the Roth obscenity test. He rejected the idea that courts should act as censors of what films the public may see at all.

Concurrence — Justice Stewart

Justice Stewart concluded that the Constitution limits obscenity prosecutions to 'hard-core pornography' only, a category he declined to define precisely but famously said he could recognize when he saw it. He found this film did not qualify as hard-core pornography.

Concurrence — Justice Goldberg

Justice Goldberg agreed with Justice Brennan but added that the objectionable love scene was so brief and fleeting that only a censor's heightened alertness would notice it. He also relied on the Burstyn precedent protecting motion pictures as a form of expression to support reversal.

Dissent — Justice Warren

No government — be it federal, state, or local — should be forced to choose between repressing all material, including that within the realm of decency, and allowing unrestrained license to publish any material, no matter how vile.The Chief Justice's concern about the difficulty of drawing workable obscenity lines.

The Chief Justice, joined by Justice Clark, argued that 'community standards' under Roth should mean local community standards, not a single national standard, because communities are genuinely diverse. He would have limited the Court's role to checking whether there was sufficient evidence to support a finding of obscenity below, and would have affirmed the conviction.

Dissent — Justice Harlan

Justice Harlan argued that states should have greater latitude than the federal government to restrict obscenity, subject only to a rationality test, while a stricter Roth-based standard should apply to federal obscenity laws. Applying that more permissive state standard, he found Ohio had acted within permissible limits and would have affirmed the Ohio Supreme Court.

How the Court got there

The legal reasoning, step by step

  1. The Court reaffirmed the test from its earlier Roth decision: material is obscene only if, to the average person applying contemporary community standards, its dominant theme taken as a whole appeals to prurient interest — and only if it is utterly without redeeming social importance.
  2. The Court held that 'community standards' under this test means the standards of society at large nationwide, not the standards of any particular town, county, or state, because free-expression protections under one national Constitution cannot shift from place to place.
  3. The Court held that judges, including the Supreme Court itself, must independently review the facts and the material itself in each obscenity case rather than simply deferring to a jury verdict or accepting a lower court's finding as conclusive.
  4. Applying that independent review to the film, the Court found the disputed love scene brief and isolated, and noted the film had been favorably reviewed by national critics and shown widely across the country, supporting that it had redeeming value.
  5. Because work with any genuine literary, artistic, or social value cannot be branded obscene under the Roth standard, the Court concluded the film did not cross the threshold needed to strip it of constitutional protection.

Doctrinal impact

Laws and provisions at issue

First Amendment

Protects freedom of speech and the press, including motion pictures, from government suppression.

Fourteenth Amendment

Extends First Amendment free-speech protections to apply against state governments like Ohio.

Ohio Revised Code § 2905.34

Ohio's state law criminalizing the sale, possession, or exhibition of obscene material.

Cases affected by this decision

Reaffirms Roth v. United States (354 U.S. 476)

The Court reaffirmed the Roth obscenity test but clarified it requires a national, not local, community standard.

Supreme Court Opinion

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